NEW ON OMANA.NET...
TALK: Share opinions with other readers using the new Comments feature — now available for all articles.
SEE: New articles have related YouTube videos & clickable Pictures.
TASTE: Send in your recipes for the brand new Recipes section or try others' & give your 5-Idli™ rating.
FIND: You can now Search the site — use the search... box at the top of any page.
READ: Recent Articles in English & Malayalam are
linked on the right — with full Archives since 1997.
NOW: In Elizabeth's Corner™ you'll find regular updates on interesting events, topical news, comment & advice.
FLASH: Up to the minute Indian News, below.
FONT? Get our MYM font to read Malayalam articles.
CLICK: Don't forget each article has useful tools:

Share, Explore & Enjoy!

Malayalam Translation





INDIA FROM NEWS
|
LATEST EDITION
Monday, November 14, 2011
|
 
|
Malayalees Celebrate the Fifty Years of Heaven, as Yesudas Writes his Name in Gold

It was 14 November 1961, the Birthday of Jawaharlal Nehru, India's first Prime Minister, celebrated as ‘Children’s Day’ in India -- a legend was born that day in the recording studio in Madras and now Malayalees celebrate the golden anniversary of that big day! A young boy from Cochin gave life to the four lines of Shloka by Sree Narayana Guru, under the direction M B Srinivasan for the film ‘Kaalppatukal’ produced by Raman Nampiyathu, an anthem for Malayalees ever since:
“Jaathi Bhedam Mathadwhesham,
Ethumillaathe Sarvvarum
Sodaratwena Vaazhunna
Mathrukaa Sthaanamaanithu”
I would say that it was destiny that played a part making this young boy to render these famous lines, to be engraved in gold for eternity -- he had an attack of flu that prevented him from singing another song! As you may have guessed, that boy was none other than Dr K J Yesudas, whom we lovingly call ’Dasettan’, who has become an essential part of our life like breathing! Yesudas is the God-given gift to Malayalees and his celestial voice is with them in their hour of need, moments of pleasure, happiness, sorrow, love and ecstasy, misery, loneliness, or philosophical mood, or any other emotion that one can think of! His golden voice is what most Malayalees hear before they go to sleep and listen to this magical voice at all other possible wakeful seconds! Even our Gods are put to sleep on this heavenly voice – 'Harivaraasanam …’ is played at Shabarimala before closing the temple for the day!

Sometimes I feel that one has to invent new words to express the genius of this great man, but somehow we still find words! He has rendered more than 50,000 songs in various languages from India and abroad and still, people just long for his new songs with reverence -- his new songs such as ‘Maayum maaya meghangale, Kali paranjaalum, Paathi maayum Chandralekhe, Kannaram pothikkalichitam’ still top the charts, outshining all else!
He is untouched by the seasons, and his voice is still just as vibrant, taking his listeners to celestial ecstasy, so much so that music directors are churning out his old songs for the new films! It was only few months ago that the legendary music director M K Arjunan and Yesudas got together for the re-make of Sreekumaran Thampy’s “Kasthuuri manakkunnallo kaatte..’ from the film ‘Picnic’, for the new film ‘Naayika’. I was amazed, listening to both versions, to notice that 36 years made no difference in his voice, and the song had the ‘Kasthuuri fragrance’ in abundance, perhaps a bit more intense in depth and allure – when he sings Sreekumaran Thampy’s most erotic words, “chenchuntu vithumpi ninno…’ the listener is taken to another world as he did 36 years ago, which is a tribute for the trio, Yesudas, Sreekumaran Thampy and Arjunanan Master, and a boost to the music industry!!

When he sings he gives his all, creating magic. When songs such as 'Aaro kamazhthi vachorotturli pole,Villinmel thaalam kotti, Uthrada pooviliyil and kulichu kuriyittu' make you feel the festivities of Kerala, 'Gange, Hari muralee ravam, Samayamithapurva sayahnam, Sathyam shivam, Katile pazhmulam, Raghu vamsha pade, Parvathi manohari, Raghu vamsha sudha, ponnil kulichu and Hindola ragardranayi, take you beyond the sound barriers. 'Omane Nin Mukham, Pinneyum pinneyum aaro kinavinte, Perariyathoru nomparthe, Mudippookkal vadiyalum, Charuthe, Ponnaranganam, Ennodenthinee pinakkam, pinneyum pinneyum, Chandana cholayil, Manja kumkumam, Adyathe nottathil, Kannadi adyamayen, Anchunila panthalitta and Adyamayi kanta nal' make you float through a fairyland, on a romantic cloud. 'Amma mazhakkaarinu kan-niranju, Paranjilla njan Onnum, Marannittumenthino manasil thulumpunnu, Pradosha kumkumam, Sandhya koluthiya, Iniyennu kanumen makale, Nanni arodu ngan chollentu, Onnu marakkan kazhingenkil and Parannu poya mohame', give you a touch of melancholy! Music directors such as M K Arjunan, Ravindran, Kaithapram, Babu Raj and the words of Vayalar, Kaithapram, ONV, Gireesh Puthechery, Sreekumaran Thampy, Yousafali Kecheri , Ramesan Nair and the others like them reach celestial heights – the magical ingredient of course, is the alluringly tempting voice of Yesudas!

It was Yesudas who opened the doors of Carnatic Music to thousands of people who would have been oblivious to it otherwise. He alone has done more than any person in history to change the image of Classical Carnatic Music; suddenly it was in vogue among the modern youth to be interested in Classical Music! Yesudas is always an inspiration to the younger generation, as he is refreshingly unpretentious and charismatic. He was the first Christian to cut across the barriers of tradition and caste, to climb the ladders of Carnatic music that was inaccessible to all, but Brahmins and a few high caste Hindus. He received distinction from RLV Music Academy at Thripunithura and 'Gana Bhushanam' from Swathi Thirunal Academy, Trivandrum in 1960. His contributions to music over the past five decades have been amazing. He has rendered more than 50,000 songs in various Indian languages since his debut in' Kaalpaatukal'. Music is religion to him with utmost purity and integrity due to his upbringing and inheritance. He is smothered in laurels; 'Ponnada' from the great Chempai Vaidya Natha Bhagavather, Padmabhushan and Padmasree from the President of India and an honorary Doctorate from Annamalai University, seven National and 17 State awards, to name a few and I am sure that ‘Bharat Ratna, is waiting for him in the wings! One must remember his family here, his parents, Augustin Joseph and Elizabeth; his wife Prabha and his three children, Vinay, Vijay and Vishal, and of course the little angel, his granddaughter Ameiya!
The irresistible combination of a unique style, alluring voice and a serene face that sparkle with youth, honesty and humility made him the living icon of generations, inspiration to the youth and absolute craze, especially among women of all ages, profession and class, to which he is quite oblivious! He is perhaps unpretentious, meditative and often solitary with a wonderful sense of humour, but his ability to communicate through music is magical. Every Malayali must respect that voice and not criticize the blessed one who creates that celestial voice, tuned by God himself -- and like Vallathol said about ‘Malayalam’, the name Yesudas must arouse national pride in us!

May you live forever, as we cannot imagine a world without you!

|
|
FEATURED ARTICLE FROM THE ARCHIVES
Memorial Star for Freddie Mercury
| by Elizabeth Menon |

|

November 24 is always a sad day for all music lovers, especially for those who love Freddie Mercury and Queen -- Freddie Mercury was the first ‘Rock-Star’ from India. But I like to celebrate this day as his 'Remembrance Day'. In 2009, a small town in London celebrated the musical brilliance of the inimitable Freddie Mercury by unveiling the 'The Mercury Memorial Star' on Feltham High Street in London -- a 'Hollywood Walk of Fame-style' celebration, attended by his mother, Jer Bulsara; his sister, Kashmira and Brian May.
Feltham in London was home for Freddie and his family for many years, since their arrival to UK in 1964 – Freddie, after finishing his ‘O-levels’ at St Peter’s, a Public School in Poona in India, moved to Feltham in England with his parents. Therefore, it is highly commendable that this town where he spent his early years is chosen to have the honour of unveiling the ‘Mercury Memorial Star’ on its High Street -- without doubt, this will be a shrine for all those who love his music, though I am rather surprised that it took this long!
Bomi and Jer, Freddie’s parents, were living in Zanzibar, in the United Republic of Tanzania, as his father Bomi Bulsara was working in the Civil Service there. Farokh Bulsaara was born in Zanzibar and later the family moved to Bombay, and then to Feltham in England. Young Farokh, 'Freddie' to his friends and family, spent his childhood in Zanzibar and Bombay, and studied at St. Peter's, a public school in Panchgani, a beautiful hill station near Poona. He started playing the piano encouraged by his mother at a very early age.
His first exposure to classics and opera was in a city that was a musical melting pot. His family encouraged him to excel in music and art and he received the 'All Rounder' award at St. Peter’s for his achievements. Indian Music and the legendary Kishore Kumar and Latha Mangeshkar had great influence on the young Freddie -- not to forget the vivid colours of Zanzibar -- which were crucial to the wonderful, inimitable style, associated with Freddie, and of course, 'Queen'. Freddie's wide artistic horizons drew him to classical music, opera and the ballet, and therefore, the operatic 'Barcelona' that Freddie did with the famous Soprano Montserrat Caballe and Bohemian Rhapsody came as no surprise. Of course, his first moment of fame came at the age of one, when his smiling photograph captured the first prize!

I still remember the first time I heard ‘Bohemian Rhapsody’ and I find it still an enigma – and it’s creator too! Freddie and Queen have given us many more inimitable songs, each one better than the previous, or vice versa. The Live-Aid concert at Wembley Stadium in1985 provided the world stage for Freddie, and he had the whole world in the palm of his hands by the sheer power of his music and personality -- it was twenty minutes of pure magic from the King of Rock that became legendary! It’s a known fact that the tribute concert for Freddie at Wembley Stadium in April 1992 turned out to be more than just a tribute -- it proved beyond any doubt that his music was inimitable.
Freddie was the driving force behind the formation of the group 'Queen', with the three other quite distinct individuals, Brian May, Roger Taylor and John Deacon. Of course, it was not the first time Freddie was part of a band -- 'The Hectics' was the name of the band he and his friends formed at his old public school in Poona. While waiting for Queen's debut single, 'Under pressure', Freddie released 'I can hear music' under the pseudonym Larry Lurex, which is a collector's item now!
The fantastic voyage started with ‘Seven Seas of Rhye’ and 'Keep yourself Alive' in 1973, spanning over 20 years to record 'Days of Our Lives' in 1991. And 'Bohemian Rhapsody' happened to the music world in 1975! This operatic rock explosion bombarded the airwaves for weeks, which brought stardom to Queen: 'The King of Rockdom' was born! 'Bo Rhap' was the first ever single to be re-released and get to number one again. ‘Crazy Little thing called Love, Who Wants to Live forever, radio Ga Ga, Another One Bites the Dust, A Kind of magic, Innuendo, Pain is Close to Pleasure, and These are the Days of Our Lives' are few of the songs, which will never lose their magic.
The word 'Super Stardom' becomes a matter of fact when used for 'Queen': but then, Freddie Mercury is 'Queen'. The three very talented artists, Brian, Roger and John continue separately without Freddie; but there is no 'Queen' without Freddie. His music transcended barriers of language, race, religion and politics, appealing to all, rich and poor, young and old. He was a writer, musician and above all, a wonderful performer. The light has gone but his music and memories will live forever, just as vibrant.
Freddie said good-bye to us in that heart-wrenching song, “These are the days of our lives…” with these words, “I still love you”! I join all those who love his music, to say, “ We love you too, and thank you for your beautiful music”! Our thoughts are with his mother, Jer Bulsara and his sister, Kashmira, and of course, Brian, Roger and John(Sadly his father Bomi passed away in 2003)
 © E Menon 2010
more from the English articles archive…

FEATURED ARTICLE FROM THE ARCHIVES
2`çjalM niRQ o® eej`tya`t
| Eda. 4lisbt\ EmEna[, yu.ek |

|
gð{ìgan8ieÁ manv£p8i}, nitYyOvn8ieÁyuM viny8ieÁyuM `ptIkmay, mlyaLikLuef ~hxy8ufi½ieÁ Bagmay, n0uef Anu~ghIt gayk[ mlyaL8nimyu- ksvumuHuM, jubyuM Xriòu\ 2E½aSuM teÁ eej`tya`t tuf®9u __ nalu xwab\xN]6u EwWvuM. mlyaL8ieÁ 2`çjalvuM k{‘afkrag8ieÁ gaMBIrYvuM niRQ mSvi¥u\ viri6u9tuM ka8u\ Elak8ieÁ 4¥a EkaækLiluM 1raXk{ ka8iri6uá _ mn’ieÁ töuruvien eta7uriyafu9, 5SusVrNLuM tSukiyuz{8iy vwYsuçrmay 1 sa`çsMgItv{W8i} lyiòu ni{~viti Enfa[. ma`¿ikwk\tiyu- 1 navi[tuöi}ni9u tE9 EmLvuM, sMgIttrMgvuM, 2`çjale8 ev¥u9 mayajalmayi `pvhi6uá. AE½a] nIHka8i®½ieÁ oa{0k] AEbaXmn’i} mRyuá. sMgItE`pmik]6u sayUjYEmku9 surBilnimiWNLaztu\ __ ñkra8 EtniEn6a] maXurYEmRiy ragsuXyuef AnwVr `pBapUrmaztu\ __ sMgIt tpsYyuef prmkaW\F `papiò gð{ìeÁ 2O sVrly`pvahM, taLM, naxM, sVrM, lyM 2vyuef sMgméanmaæ\. was\`tIysMgIt8ieÁ vatiluk] saXarz6arñ tuRá ekafu8 navi[tuöu\ k{‘afkrag8i} sp\tsVrNLuef klvRyaæ ka7u9tu\; mlyaLiyuef vr`psaxmay °EywuxasieÁ¨ eej`tya`tyuef 1rMBvuM.
o® °wiwuxin8i}¨ hri`wI kuRiò 1 tpsYüu\ purs\karNLuef o® kUöarM te9yaæ\ klasVaxk®ef sMBavn_ viviX sMs\Tan Ava{duk], ExwIy Ava{duk], jnkIy Ava{duk], `kiýik\ Ava{duk], px\m`wi, Edak\E`fýu\ ANen Epakuá Ava{dukLuef `pLyM; 2tien¥amupri °eceeöyuef epa9afyuM" Bart8ieÁ AmUlYniXiyay Eywuxasiñ\ °Bartrt\nM¨ ca{E8H smyM 4E9 kSiQiri6uá 4e9a® sEçhM ma`tM. mikò gaykñ- mu½8aRayir8i}prM 4[`fikLi}, °mu½8IraRayir8i eta‘UûeýaötuM¨ Eywuxasienyaæ\ ni{E3/4wiòtu\. gangð{ìnu\ 4tiraLikLie¥9 stYM 5kkz\Fmay tireQfu½ilUef vIHuM mlyaLik] Ar6i7uR½iòu.
!(%)_ti} puR8u v9 °n¥t¼¨49 sinimyi} pafiy teÁ pitavu\ Ags\ýi[ EjasPieÁ ka}½afuk] pi¿uf{9 Eywuxasu\, s\Enhmyiyay matavu\ 4lisbtieÁ 1wi{vaxE8aef teÁ eej`tya`t 1rMBiòtu sMéanyuvjEna¡v8ilUefyazu\. !(%*_el rHaM sMéan s\kU]yuvjEna¡v Evxiyi} Aáver 1®M Ek7i7i¥a8`t maXurYEmRiy wb\x8i}, °mamvtu `wI srsVti¨ 49 kI{8nM hiEçaLrag8i} pafi sxsY®efyuM viXik{8a6LuefyuM mnMkv{9u\ o9aMs0anM vaNiy 1 p8aM|kasu\ vixYa{Ti, nalu xwab\xN]6u EwWM 29uM, o9aMs0anN] vaNi6U7uá _ mlyaL mn’ieÁ töu®vien eta7uriyafie6aHu\ AtieÁ 1XiptYvuM nilni{8uá" putiy kasýuk] 2RNuEöa] °gangð{ìeÁ¨ ganN] 3eHá pRQa} ekaòuku7ik]6u EpaluM ARiyaM Ati} 1raæ\ pafiyiri6u9et9u\
ganrcyita6]6uM, gansMviXayk{6uM lBi6u9 Ava{dukLuef pi9iluM o® mayik GfkmuHu\_ EywuxasieÁ 2`çjalM niRQ sVrmaXuri. sMgItj\q{6u\ nitYeectnYvuM ganrcyita6Luef tUliküu\ AnwVrtVvuM, lBi6u9tu\ sa`çsuçrmay 1 wb\x8ilUefyaæ\: va6uk]6u jµsaPlYvuM EveRNuniám¥. 5tu trM ganmayaluM Atiel A=rN]6uM, va6uk]6uM ma`¿iks\p{wEmki `Ewata6Lumayi t[myIBavwk\ti Enfañ- AtulYkSivu\ 1 navi[ tuöiñeHá-taæu\ Atiñ `pXan karzM. °pRyU ni[ gan8i} ñkra8 EtnieÁ mXurim 4Nen vá¨, °raXt[ E`pmE8afaEza¨, 49I ganN] AE3/4h8iñEvHi rciòtaEzaeyá cilE½a] EtaáM. vwYsuçrmay 1 gað{ìsVrM, sp\tsVrNLa} nE0 eta7uz{8i, ~hxyenaörN] tSuki maýi n0uef xinN] sa`çsöU{‘ma6uá: mlyaLmn‘ieÁ lhriyakuá; Aetaefa½M yuvmn’ukLuef hrvuM.
smkalikñM, `psix\X 4Su8ukarñmay yUsPli EkEòri, AE¾h8ieÁ °oa{0üu taElali6a[¨ 49 kvitasmahar8ilu- °Eywuxas\ 49 kvityi},
¶nax½a} kfluµTiòu jgxI_
w[ t9 pIyUWmayi,
EvxE8[ etLiEpaluR9u vSiyuM
sarsVtsYçmay\,
EKx½afuk] pafi nI6i timirM
Epa6i `pkawi6uma_
h\Laxe½a[tiri Eywuxas\
BvikEmkifavu nIza] Bva["´
49u eca¥iyti} AtiwEyak\ti o7uM te9yie¥á-tu\ o® prmstYmaæ\. o® ganrcyitavu\, smkaliknay o® gaykeÁ guzgzN] kvityilUef v{‘i6u9tu\, o® pE= 2taxYmayi7avaM"

sV¿M pitavieÁ ka}½afuk] pi¿uf{9 EywuxasieÁ wb\xmaXuri Afu8tlmuRyuM 1sVxi6zem9 2OwVErc\CyavaM, mknay °vijy\ Eywuxasien¨ Añ`ghiòiri6u9tu\. pitavieÁ sVrlyvuM, BavBMgiyuM, wb\xwux\XiyuM Aet ALvi} mkñM lBiòi7uHu\: Eywuxasu\ 1xYkalNLi} 1lpiò °eca7mut} cufelver, kSiQsMBvN], ~hxymu®ki¨ tufNiy ganNLiel wb\xvuM, vijyu\ EywuxasieÁ wb\xvuM t0i} Ev{tiri6anavi¥. °1vzie½a[pulri¨ yiel °oaz8½enSue9-uM¨, °s\Enha{òn¨ yiel °`pa{TnEyku Emaxmayi¨, °ti®EvazeeknI7¨
8iel °cçnvLyi7 eekekaHu nI¨ 49I ganN] mlyaLmn’ieÁ sMgItni{~vitiyuef Bavi 1 2LMkrNLi} sur=itmaezá etLiyi6uá.
°pie9yuM pe9yuM 1ErakinavieÁ pfikfe98u9 pxnisVnvumayi¨, °miSikLi} kuRuku9 `pzymaM `pavieÁ ciRkfiEyaef¨, °EprRiyae8a® enaörvuM¨ EpRi, °pavmamI pa7ukareÁ `paz`piyyaM kLiE8aSiEyafu\¨,°ciri½U6] vafaet¨, °pulri viriyuM muEö¨, °ci¥i7 vatili} váni}6aEma¨ 49 yaci6u9 E`pmgayk[, °ramkT¨, °vati} tuR6U kalEm¨, °o® Enrem¼iluM¨, °x{wnM n}kEz miwihaEy¨ 49I ganN] 1lpi6uEöa] Bk\tiyuef prYaymakuá: °cçnElpsugð¨vuM °epa9rQaz¨vuM cUfi, °Aäunil½¿li7u\¨, °knYkma®ef naz¨vuM kHu\, °ca®tEyaef¨ mlyaLmn’ien tElafuEöa] 3OW\mLvikarNeL 3z{8u9 n0uef gð{ì[, °kLivIfuRNiyE¥a¨, `piysKi Epayiv®¨, °sðYekaLu8iy cçnòityi}¨, °`pExaWku¼umM¨ 49I ganNLumayi k‘I{ky8iel8i6uá; °AfiòNupUsayi¨, °4viefEya tkraRu\¨, ku9½U niRmu-, ~kW\za nI v®Ema, qaena® Exabi 49I ganN] hasYrsmuz{8uEöa], hrimurLIrvM, `pLyjl8i[ Em}, nçbalM, 3z£ sMgItEm, =irsagr, nax`bÚ8i[, paxs\mrz, hiEçaLraga`xnayi, rGuvMwpEx, stYMwivMsuçrM, ka7iel paS\muLM, k®zakri wivkamsuçri tufNiy ganN] nE0 2`çjal8infimya6i ExvElake88i6uá.
°1RaM töuraniel, hrimurLIrvM¨ o® sMgIt vip\LvM te9 ~sW\fiòu. EvRaraluM A`papYmay viX8i}, wVasEkaw`taziey AtieÁ prmkaW\fyiel8i6u9 nIH nimiWN] niRQ 2O gan8ilUef, sMgItpIF8ieÁ prmaXikarvuM AE3/4hM 5eýfu8u kSiQu.. rvI`çeÁ wk\tim8ay sMgIt8iñ maýukU7a[ EywuxasieÁ wb\xmaXuriyuef sVrragxIp\tiüu ma`tEm `pap\tiyu-u 49 stYM etLiyi6ukyuM ecùuá.

gu®vayUrMölM tI k8i nwiòE½a] AMölnfyili®á kEòri nf8i pun®x\Xarz8iñ shayiò mha[, teÁ gu®vay °eceeö¨yuef 4‘Cayaci`tM `wIci`ta 1{7\galRi6u sMBavnecy\t mhañBav[, EkrL8ilaxYmayi eRE6a{diMg\ ßudiEya éapiò priv{8k[, sMgItvixYa{þik]6u sEkaL{Wi½u\ 5{e½fu8iy ka®zYva[, sV¿M ganNLuef mas\mrwk\tiekaHu\ Elak8ieÁ 4¥a EkazukLilumu- Ekafi6z6iñ jnN]6u\, `pEtYkiòu mlyaLik]6u\, 1nçañBUtik] pk®9 gangð{ì[, o9aMéan8iñEvHi m¡rmie¥á v9E½a] 2LM`pay8i} EpaluM s\kU]m¡rNLi}niá maRini}E6Hi v9 ganEkakilM: nanajatimts\Ter teÁ Bk\tiganNLilUef o® °epa9rQaz8i}¨ Eka{8iz6a[ kSivu- ma`¿ik[: ANen 4`tna] pRQaluM tIra8 guzgzNLuef klvRyaæ\ °n0uef kaze½7 eexvM¨" eceeöyuef jµM ekaHu puzYM Enfiy Eka7ayi `gam8i} sMgItsa`ma7ay AE3/4h8ieÁ `ptim 3y{8a[ mu[eekeùfu6u9tuM EveRya®m¥. oaErava6uM stYmaez¼i} EpaluM, cilE½a] pukS\8laez9u Eta9aM; pE= Atu\ pram{wi6u9taeryaez9u kazuEöa] 1 sMwyM paEf mRyu9u.
2`çjale8yuM pi9ila6u9 sMgItlhriyuef mayajal8ilUef mlyaLikLuef ~hxyM kv{e9fu8u\ Av®ef nitYjIvit8ieÁ Bagmayi8I{9 ma`¿iknaæ\ Eywuxasu\. AE3/4h8ieÁ vijy8iñ `pXankarzM, v{WN] EpaluM mNEl}½i6a8 1raXnEyaef °pUmuKvati}6} s\EnhM ecariyu9¨, AtulY°°`pB¨¨ yaez9ti} sMwymi¥; eexvañ`ghM 2tien¥amupriyuM. °°mýu-v{ nURu pa7upafuEîöa] Eywuxasu\ o® pa7u pafiya} mti¨¨ 4á pRyu9tu\ 4`tEya tvz Ek7iri6uá; `pEtYkiòu\ o® sMgItvixVani} niáM"
eeceeö eevxYnaT Bagvt{ epa9afyziyiò `piywiWY[ gu®vieÁ nitYañ`ghE8aef 39tpxNLiel8i6SiQu: gu®viEn6a] o®pfi muöiel8iEya 4e9a® sEçhM ma`tM. eceeöyuef kalM mut} 4¥av®efyuM navilu- °2niya®u\¨ 49 1 EcaxY8ieÁ 38rM, °pk} Epael s\PW\f¨maez9ti} sMwymi¥" mlyaLiyay eceeö eevxYnaT Bagvt®ef pi[gamiyayi, mlyaLm‘ieÁ mzvuM, mlyaL8ieÁ 2`çjalvuM, k{‘afkrag8ieÁ gaMBIrYvuM, ma`¿iks\p{wvumu- n0uef `piy¼rnay Eywuxas¥aet pie9ya®u\'" vi7uvIS\c6u éanmi¥a8 1 jIvit8iñ\, 5SusVrNLuM tSukiyuz{8iy 1 navi[tuöiel mayajal8iñ\, ori6luM o® EpaR} EpaluM 5}6aet s{EìwVr[ 49E96umayi ka8usU=i6e7eyá `pa{þi6aM.
Í kvita smahar8i} niá- 3x\XarzM, yUsPli EkEòriyuef AñvaxE8aef.Ó

© E Menon 2010
more from the Malayalam archive…

|
|
RECENT ARTICLES...

°°oazawMsk]¨¨
l¼al=\miyuM murLiyiel ravzñM
Lankalakshmiyum Muraliyile Ravananum
3`tafee6nI7M
Uthraada Kaineettam
‘Grandson’s ‘Kaatha’, Without Becoming An Exhibit’
'Kaatha', joins her 'Thakazhichettan'!
Endosulfan: the extremely neurotoxic chemical that must be banned!
The Three-Day Diet that really works!
Send in Your Recipes & Requests
Malayalees Celebrate the Fifty Years of Heaven, as Yesudas Writes his Name in Gold
World Palliative Care Day Celebrations on 8 October 2011
Mansur Ali Khan Pataudi, ‘Tiger’, Bids Farewell






|
|